Sound
Sound&ResearchCreation (2021)
Produced by Dr. Petra Klusmeyer
University of the Arts Bremen




S&RC LOOPHOLES is a mini-series of quick, sharp & feisty podcasting by students of Petra Klusmeyer’s »Research-Creation, Art Writing, and the Making of Podcasts« of HfK Bremen. Quick means fast turn-around of an idea drawn from the student’s art writing; not overthink but craft ‘loopholes’ through practice. Sharp means intelligent, unexpected; encounter surprises. Feisty means a 60-second sonic output specific to the student’s art practice & research, maybe quirky and with an edge.

Loophole #1
»I’m Interested Only in What’s Not Mine« by Bruno Barrenha

Loophole #2
»Lost in Transcription« by Sina Buttmann

Loophole #3
»50 seconds« by Virginia Argentero

Loophole #4
»Yellow, White, Purple, Black« by Ivett Kállai

Loophole #5
»Blue« by Elizaveta Vasileva

Loophole #6
»Untitled« by Stéphane Krust

Loophole #7
»Safe Spaces« by Abdulghaffar Tammaa

Loophole #8
»Space-Time-Mattering Center« by Müge Pelin Sen.


MODULATIONS ON THE FLY is a series of resonances in sound, art, and philosophy. In the episodes, students of Petra's »Sound Studies | Research-Creation« classes at HfK Bremen continue to explore the sonic in its material and conceptual dimension. The podcasts will show you how

Modulation #23 by Bruno Barrenha
»Waiting for a Train« draws on found footage film techniques to combine and arrange sounds. Through bricolage, copying, and creative interference, the piece was created entirely from a variety of audiovisual material available on the Internet. It intertwines references of sound culture and presents a suspended space-time of a train platform.


Sword Swallowing (2020)
electroacoustic composition 8’

Emulating subtle and almost unhearable noises of an internal human body, a body made of sounds comes into existence. Since its formation, this body deforms itself until the total destruction.



Foley / Editing / Effects - Bruno Christofoletti Barrenha
Foley Recordist - Benjamin Schlemmer


Made as part of the course Elektroakustik in den Künsten.
Supervised by Prof. Kilian Schwoon.



∆ (2018)
ambient, album / 40’



Recife Cidade Aberta (2017)
mixed media, interactive sound map / 100’


Comichão.prurido (2017)
experimental, album / 20’


MIOPIA (2016)
experimental, album / 35’