SOUND
Sound&ResearchCreation (2021)
produced by Dr. Petra Klusmeyer
University of the Arts Bremen
S&RC LOOPHOLES is a mini-series of quick, sharp & feisty
podcasting by students of Petra Klusmeyer’s »Research-Creation, Art
Writing, and the Making of Podcasts« of HfK Bremen.
Quick means fast
turn-around of an idea drawn from the student’s art writing; not
overthink but craft ‘loopholes’ through practice. Sharp means
intelligent, unexpected; encounter surprises. Feisty means a 60-second
sonic output specific to the student’s art practice &
research-creation, maybe quirky and with an edge.
Loophole #1
»I’m Interested Only in What’s Not Mine« by Bruno Barrenha
Loophole #2
»Lost in Transcription« by Sina Buttmann
Loophole #3
»50 seconds« by Virginia Argentero
Loophole #4
»Yellow, White, Purple, Black« by Ivett Kállai
Loophole #5
»Blue« by Elizaveta Vasileva
Loophole #6
»Untitled« by Stéphane Krust
Loophole #7
»Safe Spaces« by Abdulghaffar Tammaa
Loophole #8
»Space-Time-Mattering Center« by Müge Pelin Sen.
Loophole #1
»I’m Interested Only in What’s Not Mine« by Bruno Barrenha
Loophole #2
»Lost in Transcription« by Sina Buttmann
Loophole #3
»50 seconds« by Virginia Argentero
Loophole #4
»Yellow, White, Purple, Black« by Ivett Kállai
Loophole #5
»Blue« by Elizaveta Vasileva
Loophole #6
»Untitled« by Stéphane Krust
Loophole #7
»Safe Spaces« by Abdulghaffar Tammaa
Loophole #8
»Space-Time-Mattering Center« by Müge Pelin Sen.
MODULATIONS ON THE FLY is a series of resonances in sound, art, and philosophy. In the episodes, students of Petra's »Sound Studies | Research-Creation« classes at HfK Bremen continue to explore the sonic in its material and conceptual dimension. The podcasts will show you how
Modulation #23 by Bruno Barrenha
»Waiting for a Train« draws on found footage film techniques to combine and arrange sounds. Through bricolage, copying, and creative interference, the piece was created entirely from a variety of audiovisual material available on the Internet. It intertwines references of sound culture and presents a suspended space-time of a train platform.
Sword Swallowing (2020)
electroacoustic composition
Emulating subtle and almost unhearable noises of an internal human body, a body made of sounds comes into existence. Since its formation, this body deforms itself until the total destruction.
Foley / Editing / Effects - Bruno Christofoletti Barrenha
Foley Recordist - Benjamin Schlemmer
Made as part of the course Elektroakustik in den Künsten.
Supervised by Prof. Kilian Schwoon.
∆
(2018)
ambient, album 40’
ambient, album 40’
Recife Cidade Aberta (2017)
mixed media, interactive sound map 100’
mixed media, interactive sound map 100’
Comichão.prurido (2017)
experimental, album 20’
MIOPIA (2016)
experimental, album 35’
Sound recording for films
Meninas Formicida (2017) | Boom OperatorShort film. Produced by Les Valseurs with the support of CNC and Arte.
Directed by João Paulo Miranda Maria | Head of Department: Léo Bortolin.
Premiered at the 74th Venice Biennale – Orizzonti: Concorso cortometraggi (Italy).
Best Sound at 19º Festival Kinoarte and 11º Curta Taquary (Brazil).
Directed by João Paulo Miranda Maria | Head of Department: Léo Bortolin.
Premiered at the 74th Venice Biennale – Orizzonti: Concorso cortometraggi (Italy).
Best Sound at 19º Festival Kinoarte and 11º Curta Taquary (Brazil).
Command Action (2015) | Sound Mixer, Boom OperatorShort film. Produced by Kino-Olho.
Directed by João Paulo Miranda Maria | Head of Department: Léo Bortolin.
Premiered at the 68th Cannes Film Festival – Semaine de la Critique (France).
Best Sound at 48º Festival de Brasília and 8º Curta Taquary (Brazil).
Directed by João Paulo Miranda Maria | Head of Department: Léo Bortolin.
Premiered at the 68th Cannes Film Festival – Semaine de la Critique (France).
Best Sound at 48º Festival de Brasília and 8º Curta Taquary (Brazil).
